Showing posts with label Anjali. Show all posts
Showing posts with label Anjali. Show all posts

Thursday, August 15, 2013

Cabaret Travels: Anj Creative Assignment 2

Inspired by the poltics of Veleska Gert's simple yet shocking portrayals of those citizens that were rejected or thrown out by Mainstream society, this short study is a rough glimpse into Bollywood Helen as Bulldyke or Bulldyke portraying Helen in drag. Costume wasn't as glitzy and feminine as I wanted.
 Password: helen
ANJ AUG UP from Post Natyam Collective on Vimeo.
Questions: 1) How does imposing masculine movements on an exotic temptress read? 2) What other ways might masculinity and gender play enter this study? 3) Other suggestions for extreme Veleska Gert inspired suggestions?

Thursday, June 13, 2013

Yes to Each Other: a Cyber Manifesto

Special thanks to our incredibly creative editor, Prumsodun Ok
and to our wonderful sound designers: Loren Nerell and Ravi Deo

here is our performative manifesto:

Yes to Each Other: A Cyber-Manifesto from Post Natyam Collective on Vimeo.

And click here for a link to our written manifesto:
http://www.postnatyam.net/?page_id=126

Wednesday, May 22, 2013

Anj's Cabaret Assignment #1

I am interested in the depiction of Cabaret dancers in Bollywood, specifically looking at the famous Bollywood dancer/actress Helen. As I googled Cabaret in Bollywood, Helen kept popping up as one of the most popular Bollywood dancers (especially in relation to Cabaret). This really struck a personal note for me, as I grew up watching Bollywood films and always remember her numbers and my mom specifically talking about how beautiful a woman and dancer Helen was. I always wondered why her name was "Helen" and I loved watching her in the films. Now after a few google searches, I learned she is half burmese, quarter Anglo and quarter Indian and sort of happened upon the business after a very tough childhood fleeing Burma. I also learned her "breakthrough" film was when she sang and danced "Mera Nam Chin Chin Choo". This was one of my all time favorite old Bollywood songs and it was so interesting to see the video via you tube after just singing the song for all these years (not really knowing the meaning). I never knew Helen was up front and Geeta Dutt was only her background singer. Anyhow, my interest is piqued in wanting to learn more about what was permissible and what was not in terms of depicting female sexuality through dance in night club settings. Apparently, from what I read, Helen was a classy Cabaret act and though she was sexy, she was never considered vulgar. Her dance training was also eclectic, which reminds me of our very own PN collective members that grapple with being sexualized and perceived as exotic for being ethnically ambiguous. Was she sexually empowered or objectified vixen? I am also interested in researching if there was an actual Cabaret scene in Mumbai, India or if was only depicted in Bollywood Fantasy land. Here are a few links that I found and I'm excited to learn more. http://post.jagran.com/Cabaret-Queen-Helen-celebrates-72nd-birthday-1319116432 http://www.youtube.com/watch?v=lVKEMOenP-o http://www.youtube.com/watch?v=-WX5D_bxSRQ

Monday, August 27, 2012

Manifesto Draft

Prumsodun Ok has been working hard to edit together the video version of our Manifesto.
Here is the first segment of it.

Password: manifesto

Manifesto cut from Shyamala Moorty on Vimeo.



Prum will post questions in the comments for us to respond to as he is working to figure out the other parts of the video.


Sunday, May 20, 2012

Mataji --Modern Wonder Woman

Mataji --Modern Wonder Woman During the 21st Century there exists a (dis)ease that is multiplying in Epic proportions. Anxiety/Stress is the silent plague affecting every mortal on this planet Earth. The age of technology and electronic gadgets has erased the ability to focus and affected our ability to see clearly. We exist in a haze. Multi-tasking has morphed us humans into frenetic, flitty cyborg folk that drive in one gear and one gear only: Autopilot. Do not fear, Mataji is here. She is Mother incarnate. Always giving of her resources, a bountiful fountain whose waters never deplete. She offers of herself unconditionally in service to all. She can jump high but she cannot fly. She transports herself to the land of mortals where she uses the power of her gaze to transmit instantaneous peace of mind to those in distress. Mataji is saving the human race by Awakening a consciousness that has been lost. Her spirit was sent to Earth after an emergency meeting was held among the Gods in the Heavens. The earthly inhabitants were in dire straits. The technology age had boomed and exceeded any one’s expectations. Humanity was at risk now as people’s minds began to merge with their computer counterparts. A cerebral epidemic had cut through the mortals, one in which human mind and robot became so interconnected that everyone was “plugged in”. Soul was threatened because it had been slowly hardened by years of mental plaque. Everyone was highly charged and profoundly depleted. Mataji was born via invitro fertilization from a frozen egg via surrogate. Whom did the egg belong to? None other than Bhumi, Earth Mother herself. She had a sixth sense as to the direction humanity was headed in and new that her earthly biological clock was ticking. Why not use the perks of advanced medicine? She obtained the sperm from Surya, the Sun God, one of her best friends. He threw a celestial celebration on the day the surrogate, Radha was impregnated with their child: Sun Showers!!! Nine months later, the rainbow arched from the heavens to the earth as Mataji was born. She was radiant and glowing. As she opened her eyes for the first time, her third eye also opened. It appeared as a bindi on her forehead, between the brows. This child would grow up to work wonders. Like the Buddha and many before her who had attained enlightenment, this child’s life path was to restore peace of mind across humanity. Upon seeing her beautiful child, Bhumi did not have the heart to leave her to be raised by others, but she knew it had to be done. She left the child to a couple, Raja and Rani, who had been trying to conceive for years but were unable to get pregnant. After years of tests and trying, they finally decided to adopt. Both were high ups in Corporate America. Raja was CEO of Robots as Housekeepers, Inc. while Rani could have sat on his throne, she too was just as ambitious and had worked her way up the corporate ladder as head honcho of Cell Mobiles International. Her company was the creator of the latest trend: convertible sized cars in which people traveled virtually (through mental cyberspace) everywhere. It is an understatement to say that these two workaholics were never home. When they learned that there was a baby available to them for adoption though, they were elated. Even before meeting the child, they decided to name Mataji “Macarena”, a name that reflected their favorite Apple Computer and that dance that was popular back in the early 90s. The day for meeting the baby and bringing her home had arrived. Both Raja and Rani had managed to take only a half-day at their respective jobs. As they entered the hospital room, a light seemed to emanate from the bassinet. “Meet your baby” said the nurse (Bhumi in disguise handed her over as Radha watched on). Raja, in the midst of text messaging and Rani, on her headset finishing up some business for the day, dropped their mechanical devices and felt a warm tingling sensation that began in their toes and spread to the tops of their heads. A burning between the eyebrows ensued and then…. the adventures begin…

Saturday, April 14, 2012

Bhumi --Modern Wonder Woman

During the 21st Century there exists a (dis)ease that is multiplying in Epic proportions. Anxiety/Stress is the silent plague affecting every mortal on this planet Earth. The age of technology and electronic gadgets has erased the ability to focus and affected our ability to see clearly. We exist in a haze. Multi-tasking has morphed us humans into frenetic, flitty cyborg folk that drive in one gear and one gear only: Autopilot.

Do not fear, Bhumi is here. She is Mother Earth incarnate. Always giving of her resources, a bountiful fountain whose waters never deplete. She offers of herself unconditionally in service to all. She can jump high but she cannot fly. What more can she give you ask. Her dance transports her to the land of mortals where she uses the power of her gaze to transmit instantaneous piece of mind to those in distress. Bhumi is saving the human race by Awakening a consciousness that has been lost.

Part 1: Face awakening: Looking into and beyond the mirror...who can it be now?
Password: Alter

Part 2: Bhumi signature movement/dance that transports her
To be posted Sunday


Feedback questions and Notes:
Note: I am really interested in seeing what can happen between some live action and animation in the medium of video and want to discuss possibilities with Doug
1) What/ how do you view the mirror framing this piece? Is it adding to the intrigue of the internal dialogue happening with the face or taking away from it? Suggestions for other framing options
2) What do you think of seeing the entire face versus doing a similar study with only focus on the eyes since I"m so interested in her gaze being Bhumi's superpower
3) Is the Bhumi dance physicality interesting as a movement signature to establish her character or do you have other suggestions for how she moves from mortal to immortal worlds?

Sunday, March 18, 2012

Epic Women Creative Assignment 1

Choose a superheroine who is your Alter ego. (It should be your own twist/version of a known superheroine). Inspirations may come from but are not limited to Comic Books, Amar Chitra Katha Indian Comics, and/or cultural stereotypes
What is your alter ego’s super-power?

Create a signature movement that is specific to your Superheroine/Alter ego

Show us how your superheroine moves from the mundane world of mortals into the realm of superheroine ---you are encouraged to use text, movement, costume, props, and/or video.

Please upload your study with feedback questions onto the blog by Apr 12.  Feedback from everyone is due Apr 16.