Wednesday, November 23, 2016

Re-imagining citizenship: Not knowing of the taking

This is the latest re-making of "10 Little..." draft. I was trying to put the resilience piece in, but also wanted to reflect the current and urgent situation in Standing Rock. I feel moved to post this tomorrow and suggest donating to Standing Rock as an alternative or addition to folks' celebrating Thanksgiving.


Thanking for the Giving, Not Knowing of the Taking from Shyamala Moorty on Vimeo.



Questions: answer any that you are moved to, I know time is short!
1. Does it need any written context for folk other than where they can donate?
2. Are there any red flags?
3. What is your experience when watching it (what are you thinking/feeling)?
4. Is the use of the song effective in making folk think about the violence inherent in the song, or does it just seem like playing on nostalgia?
5. Are there any  refinements I might be able to make before I post tomorrow?
6. Are there any refinements/changes you suggest for future versions?
7. Any other thoughts?

Wednesday, November 16, 2016

Borders Resurfacing repost

 here two links. One I had posted before, the other is Meeena's:

Europa Europa (which Rani is part of and which will be shown in Mexico and Sandiego I believe next week!)
https://m.youtube.com/watch?v=5jMXZBPW-Q0

English lyrics here:
https://m.youtube.com/watch?v=dfaqRTF-uzU


Meena had posted atzlan underground. We did not cross the border, the border crossed us.
https://m.youtube.com/watch?v=_mQ4KUojVVI

Thursday, November 10, 2016

Borders Resurfacing: Link and Lost Chinatowns (Cynthia)

I. Like Meena, I'm choosing John Akomfreh's "Vertigo Sea" as my link:
https://vimeo.com/143478746


II. In addition, since we've been invited to bring in our own research into this larger project thinking about borders and migration, I thought it'd be useful to give you guys a glimpse of the Santa Cruz Chinatown research that I've been doing. Santa Cruz had 5 different Chinatowns from 1860-1955, which were destroyed or dismantled in various ways.  Santa Cruz was the epicenter of anti-immigrant, anti-Chinese organizing in the region. The explicit connection to water is that many of the Chinatowns were built along the San Lorenzo River (where real estate was cheap due to issues with flooding), and the last Chinatown was destroyed through a a major flood in 1955.

What follows are a few excerpts of primary source materials that were part of the performance art sketch I created called "Lost Chinatowns":
Duncan McPherson, editor of Santa Cruz Sentinel and key member of anti-Chinese movement, 13 Dec 1879
The anti-immigrant, anti-Chinese Workingmen's Party was a classic divide-and-conquer strategy whereby working class white men took up racist anti-immigrant positions because they felt their jobs are being threatened -- a phenomenon with obvious parallels to the present day.  In Santa Cruz, however, the ticket was spearheaded by middle class white people.
Photos by George Lee of members of Santa Cruz's last Chinatown (Front Street), which was along the banks of the San Lorenzo River
Photos of the 1955 flood which destroyed Birkenseers Chinatown 
Photos of the 1955 flood which destroyed Birkenseers Chinatown
Here are a couple of photographs of "Lost Chinatowns," which I performed at Santa Cruz City Hall as part of a site specific dance festival last month.  In the work I build Chinatowns that are populated with historical photographs, maps, newspaper clippings, etc, as well as other materials such as gravel, rocks, and concrete, and then destroy them in succession.
Lost Chinatowns: Birkenseers Chinatown: 1905-1955

Lost Chinatowns: Front Street Chinatown 

Borders ReSurfacing: Creative Brainstorm (Meena)

1) Sandra posted a really great assignment as part of ReImagining Citizenship (Borders ReSurfacing's predecessor) and I don't think it ever got investigated. It's still really relevant and worthwhile. Wanted to bring this back into the mix. See below.

2) The link that Cynthia posted of John Akomfrah's work is still staying strong with me:

https://www.youtube.com/watch?v=p6tbMrbvWwc

3) Then there is also this article that Sita Frederick sent me about a boat of Indians travelling from Dominican Republic to Puerto Rico, supposedly to try to enter the US as refugees...? Could't find great writing about this but so curious.


http://www.breitbart.com/texas/2016/10/17/border-patrol-agents-thwart-illegal-alien-smuggling-puerto-rico/

Reimagining Citizenship Assignment 2 (by Babli)
STEP 1: Do a 10-15 minute free-write reflecting on art making and cultural citizenship (the way you believe it can be effectively deployed as a concept), in times of a crisis such as the current "refugee crisis" in Europe- a crisis that is a matter of life and death for many. You can refer to different situation than the current one debated here.


STEP 2: Read your own free-write closely and try to establish the main emotion (stayibhava) tha it reveals.


STEP 3: Make a study based on that stayibhava, if you want you can use one of Cynthia's suggestions:


This assignment consists of three steps. Please DO NOT read step 2 and step 3 before having completed step 1.


Creative Assignment Possibilities (Cynthia) :
(1)   Create a movement study exploring the idea of living perpetually on a border.  Consider how your study might not be completely abstract but in dialogue with actual border stories.
(2)   Create a study investigating two-facedness: both welcoming and repelling.

(3)   Do a free-write about your own history of migration (this can include your family’s).  Put this story into conversation with stories of current refugees.  You may use text, movement, video, images, etc.

Borders ReSurfacing: Creative Brainstorm (Meena)

1) Sandra posted a really great assignment as part of ReImagining Citizenship (Borders ReSurfacing's predecessor) and I don't think it ever got investigated. It's still really relevant and worthwhile. Wanted to bring this back into the mix. See below.


2) The link that Cynthia posted of John Akomfrah's work is still staying strong with me:




3) Then there is also this article that Sita Frederick sent me about a boat of Indians travelling from Dominican Republic to Puerto Rico, supposedly to try to enter the US as refugees...? Could't find great writing about this but so curious.



Reimagining Citizenship Assignment 2 (by Babli)

This assignment consists of three steps. Please DO NOT read step 2 and step 3 before having completed step 1.

STEP 1: Do a 10-15 minute free-write reflecting on art making and cultural citizenship (the way you believe it can be effectively deployed as a concept), in times of a crisis such as the current "refugee crisis" in Europe- a crisis that is a matter of life and death for many. You can refer to different situation than the current one debated here.

STEP 2: Read your own free-write closely and try to establish the main emotion (stayibhava) tha it reveals.

STEP 3: Make a study based on that stayibhava, if you want you can use one of Cynthia's suggestions:



Creative Assignment Possibilities (Cynthia) :
(1)   Create a movement study exploring the idea of living perpetually on a border.  Consider how your study might not be completely abstract but in dialogue with actual border stories.
(2)   Create a study investigating two-facedness: both welcoming and repelling.


(3)   Do a free-write about your own history of migration (this can include your family’s).  Put this story into conversation with stories of current refugees.  You may use text, movement, video, images, etc.

Wednesday, November 9, 2016

Borders Resurfacing: Water and Borders

I was working on some writing for a river piece that I've been working on in my yoga for writing workshop and the person who read it felt it could be about refugees.  Which is interesting because I already felt the river piece I'm working on could be connected to Borders Resurfacing.  So,  I offer this metaphorical story of a river instead of a specific personal or political one.  The gist of the story is below along with some snippets of short movement explorations I made this summer, as well as some first draft writing in quotations.

I found the story in the book "An Ordinary Life Transformed."  The book says it is a Sufi story, but I haven't found any other sources or versions yet.  I'm still looking!

Below is my rendition of it.  All of the video links below have the same password:  river


Reaching river...

A joyful burbling river, traveled towards their destiny.  Overcoming all the obstacles in their way with ease. 

River traveling from Shyamala Moorty on Vimeo.

Until they are stopped by a desert and begin to doubt themselves, each rivulet wanting to take a different approach.

  Desert desperation from Shyamala Moorty on Vimeo.

 "Oh that we could reverse our waters' flow and go back the glacier we once were, or choose another path along our many pronged journey.  But there’s no going back.  Even if we wanted to return, the force of children and grandchildren, so many generations, have already melted and follow us.  Would that we weren’t leading them to this certain end.  But if we try harder, we just loose ourselves more.  


We hear the rushing of the water behind us, the quiet deadness of the sand in front of us.  The vultures cawing in the distance as if telling us of the certain danger ahead.
We see nothing but grains of sand reaching into the empty sky.  
We taste the dry dust, coughing into our throats as we choke and cough and splutter out our hopes, only to forget what they were.
We feel light headed, like we are changing, despite ourselves.  

How do we allow ourselves to change without loosing who we are?  We have always been the traveler over boulders and stones, around great unknown bends, through different foliage.  We have seen valleys and meadows, but never, until now have we faced this dry harsh sand that devours us whenever we try to pass.  Is it truly the valley of death for us ?   
We feel our very atoms wanting to separate in this parching heat…but we cling desperately to an uncertain existence.  Because it is all we knew, because it is all we have known.  But are we still making sense?  Our hydrogen filled heads are vibrating so much that we are feeling dizzy, getting lighter until, popping off from from our Oxygen filled bodies, we are suddenly floating free, ethereal, is this really happening?  Cooler as we rise, release the agony and burden that kept us down, we have no choice but to let go all that weighted us down.  Gathering together again, as if we’ve never met before our heads and our hearts all mixed up among one another, we buzz in the mist of a cloud."

The river "surrenders" and gets evaporated by the sun and becomes a cloud:

  Evaporation to cloud from Shyamala Moorty on Vimeo.
 
 The cloud travels over desert, and rains down into the ocean on the other side. The river becomes one with their larger selves, mixing and intermingling with the multitude of other rivers and drops from around the world.



---------

Also there is this writing from the desert's point of view:


-->
"I am thirsty, but am afraid of the impending waves.  They lap at my sands, cooling, wetting my pebbly lips, but I retract and gasp rather than being able to enjoy.  It is too risky for My sands are delicate, dry, and easily washed away with wind and water.    So, I cannot, will not, let those waters in.  Drops turn into rivulets, rivulets turn into floods.  What if the waves over take me and I am submerged entirely…drowning. 

I am surrounded by all sides by this never ending threat.  Ocean on one side, lapping greedily at me, pulling my very body into it little by little until I begin to loose my identity into the depth of those icy waters.  On the other side, a river is pounding into me, trying to cross me and reach the ocean.  I cannot let it divide my home, separating me from my loved one, when we have been here since memory started. 

Although my dry cracked earth is parched, I cannot risk letting the flow of this unpredictable frothy element pull me under with it.  So I stay strong fortifying myself against each incoming wet rush, and dredge up my bravest, hardest, driest soldiers to drink it up before it can eat away at my precious rolling hills.  Instead, I’ll take the wasteland of dry brittle tumbleweeds, for at least with those my sands can catch a ride and then be released freely at a whim, rather than being swept up beyond my control, sucked into whirlpools of certain destruction. 

I yearn for a life where I do no not feel constantly threatened by these wild and uncertain elements.  If only I could be left in peace.  Some may call my life boring, dry, but it is predictable, it is practical, it is in tune with the one and only almighty sun.  We don’t need the pesky water to mess up our ways, we get enough moisture from the passing clouds, and I have secret underground chambers where I have imprisoned vast amounts of water in a way that I can control its wily ways and keep it in check to be used properly for the good of all my creatures.  This is the law of my land and all my sands must obey and fall in line or they risk their existence."