Showing posts with label subject/object. Show all posts
Showing posts with label subject/object. Show all posts

Wednesday, May 22, 2019

Spectators Watching "The Vision of Salome"

Today Shy and I developed some material consisting of different spectators watching an invisible Maud Allan dance The Vision of Salome.  Currently, we're imagining that there would be spotlights that fade in and out so that certain spectators are highlighted at different times, with some overlap between the characters.  Each of us would play two different characters: Verna, an aristocratic white guy, a desiring South Asian femme, and a disgusted South Asian femme.  We would probably extend the desiring South Asian femme section to make it overlap more with the disgusted femme at the end.

Password for all: "Maud"

Cyn as Tophat Guy

Shy as Verna
Cyn as Desiring Femme (inspired by Babli!)

Shy as Disgusted Femme
Here's the script for when each character appears in relation to the text:
[Tophat] To Maud Allan, swaying like a passion flower in the last steps of the Seven veils, a giant negro brought upon a great salver Jokanaan.  [Verna joins] Her eyes half closed, the dancer raised by its dank hair the ghastly prize of Herodias’ daughter.  She leaned towards its lips.  Gently the severed head touched her wrists, and there shot through her a terrible tremor, a shivering of the soul.  [Tophat fades] Upon her white flesh were the stains, dark crimson clots.  [Verna fades, Desiring Femme starts] It was blood.  Her body rigid as though carved in marble, the dancer slowly forced her eyes to the face she held aloft.  It was the face of a man not long since dead.  (Disgusted femme starts). As one from whom life passes very quickly, she crumpled to the floor. (Desiring femme fades) From her hands dropped the head.  It rolled upon her breast and fell beside her, leaving upon her white body a crimson trail.

Monday, March 11, 2019

Performing Maud, Performing the Spectator (Zoom Meeting)

We had a fun Zoom meeting where we did some very raw improvisations using the reviews of Maud Allan's performance, rotating the roles of dancer/reader/spectator.  After each improvisation, the spectator did a movement playback of the dancer's improvisation.

Password for all: Maud
Cyn improv

Shy playback
Shy improv

Babli playback
Babli improv
Cyn playback



We also did three improvisations to the same texts in which we performed as a spectator, rather than as Maud Allan herself.  For mine, I ended up switching between the spectator and Maud a bit.

Cyn as spectator
Babli as spectator
Shy as spectator

Tuesday, September 18, 2018

What do I desire? A little free write

you call me the pious one, 
you see me as the temptress

you are entranced my beauty, 
you applaud my agile limbs

you gamble with my life, 
you offer me your kingdom

you snatch my endless sari, 
you lust for flesh beneath my veils

you strip me of my dignity, 
you blame me for your trespasses

I am Draupadi, 
I am Salome

What do I desire?



I became curious about the intersections of these two figures, Draupadi and Salome.  They seem parallel and opposites.  This is a beginning exploration, keeping in mind my interest in who has agency, who is the subject and who is the object etc.