I’ve been having some challenges doing
this assignment, partially because our script for “Super Ruwaxi: Origins” is still shifting around quite a lot, and so I haven’t
been sure whether it made sense to stage a scene that might get cut. Thus I’ve decided to use the feedback
process to help brainstorm visual looks or staging approaches for one of the
scenes in the script, which takes place at school. As you read, keep in mind that there are only two performers
– Shy and myself – though there are multiple characters.
To give some context for this scene, it
takes place at Ruwaxi’s elite prep school. The group of popular girls at the school is called the
Lipstick Brigade, headed by Lexie Luthora, with her hangers-on, Vanna Valley
White (an air-headed blonde), and Minx (a cunning and jealous brunette). Lexie is the trans-female version of
Fedora Boy. Lexie now works at the
Gender Police (where Fedora Boy also worked) and has gone under cover as a high
school student to try to find and destroy her nemesis, Ruwaxi. Lexie’s name is a reference to Lex
Luthor, Superman’s nemesis. Lexie
also parallels Brihannala, the female (or hijra, depending on the story)
version of Arjuna when he is in hiding in the Mahabharata. ‘Nana
(short for Banana) was Ruwaxi’s childhood best friend (and first female lover,
though this back-story will probably not be included in the script), but their
paths have diverged since Nana opted for the assimilated, materialistic route
while Ruwaxi took the nerdy, model minority route.
Also, at the moment we are
imagining that Shy will play Lexie and I will play Arjuna throughout the piece,
so that we play each other’s nemesis.
We are also interested in creating a distinct visual look for each world:
school, home, club, Urvashi’s world. Some preliminary visual thoughts are
indicated in red.
Lexie
Strikes in the Locker Room
Lights up on the girls' locker room at Middle Kingdom High with
sounds of showers and chattering girls. Ruwaxi is deep in thought,
distracted by new ideas for a paper.
RUWAXI
Ooh, I could write an extra credit paper on queer tropes in Hindu
mythology through the lenses of feminist-of-color theory and Roland Barthes’ Mythologies.
(Absent-mindedly,
she slips out of her gym clothes, tucks her towel around her body, making her
way towards the communal shower, soap and shampoo in hand. Mentally
thanking her mother for making her wear flip-flops, she lets her body relax
into the hot stream of water, humming a seductive melody that she seemed to
recall from a dream.)
(A
bar of soap slides across the bathroom floor, hitting her flip flop. As RUWAXI
kneels down to pick it up, LEXIE enters with the LIPSTICK BRIGADE just behind
her.)
Lexie
Ahem.
(Ruwaxi looks up.)
Vanna
Ruwaxi, give her the soap already!
Ruwaxi
(visual thought bubble -- I'm thinking the following words would be expressed through imagery, not words) The suds cling to her
pale pink areolas...her body so ripe yet perfectly toned...
Lexie
[in a dangerous whisper] What are you looking at?
Minx
[calculating] Yeah, Ruwaxi, do you like what you see or something?
(Lexie’s eyes widen at the sound of Ruwaxi’s name, then narrow
with malice.)
Vanna
Oh my god, Ruwaxi, are you seriously a dyke? I thought you
were too busy studying to think about sex!
Lexie
So…you are Ruwaxi. The little Oriental flower who turned out to be a hairy armpitted...
Ruwaxi
[fearful and embarrassed] I’m not looking at anything!
Sorry…
Lexie
(snaps her fingers) Shave her.
(Lexie
pulls her diamond razor from her hair and grabs Ruwaxi by the wrist. The
rest of the Lipstick Brigade gathers, forcing Ruwaxi down to the slimy, tiled
shower floor. Ruwaxi tries to stand up, to call forth her righteous anger, but
she is gripped with fear, and as she lifts her arms, diamond flashes of razor
sharpness slashed lightning-quick in a blur of hot steam,
tig dha bony fingers holding Ruwaxi down bruisingly tight, dig…dig… slashing
flesh and scraping away hair. Ruwaxi is left in a heap on the shower
floor, her curly armpit hair clogging the drain, blood mixing with water…)
(As a possible visual rendition of the
above scene, I’m imagining my live body tangled in a typical cartoon fight
sequence, perhaps a simple animation, complete with little curlicues,
exclamation points, and sound effects (bam, pow, zap, etc.), mixed in with
anti-lesbian epithets and bols.
For example: ouch! I’LL
&%*#*%^ TEACH YOU! tig
dha SLASH! diga ZAP! $%^&!
YOU WANT SOME OF THIS? diga diga
thai LESBIAN! POW! diga thai
BIFFF! DYKE! SLASH! tig dha CUNT-LOVER!)
(LEXIE exits with the LIPSTICK BRIGADE
behind her. Nana enters after they’ve left.)
‘Nana
Are you okay, Ruwaxi? [helps her get up and supports her]
Come on, let’s get you cleaned up.
QUESTIONS:
(1) How
might you imagine staging this visually given that there are only two
performers? (Options might include
live feed, simple animation, pre-recorded video, audience interaction, etc.)
(2) The
blatant violence of this scene bothers me because it seems to be missing the
cleverness and humorous political pointedness of the 15-minute version of the
piece. Do you have thoughts as to
ways to make it both serious and light?
(3) Thoughts
about what kind of sound/music might support this scene?
(4) Any
suggestions to tighten or strengthen the writing?
Other thoughts?
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