Here's your May assignment! Please upload studies by May 16, and give feedback by May 23.
ASSIGNMENT:
Write (or otherwise compose) your super-heroine’s origin
story. What was the crucial, formative moment in her
past that made her what she is today?
If she has a superpower, how and why did her superpower emerge at this
moment? Tell this origin story through a comic-book story-board
style. As per Amar Chitra Katha’s style,
there should be 3 major kinds of text/narration (with 4-5 as options, but not requirements):
(1) Omniscient
narrative, which is enclosed by horizontal straight lines across the page.
(2) Dialogue:
indicated through dialogue balloons
(3) Thought
bubbles: indicated by bubbles, and sometimes including imagery instead of text
(4) Footnotes:
asterisks which explain culturally specific terminology and/or non-English language
(5) Voice
of God: used when you don't actually see the god
Here are examples of ACK storyboards illustrating these 5
types of dialogue:
from "Bheesma," illustrates 1, 2, 3
from "Kabir," illustrates 1, 2, 5
from Kabir, illustrates 1, 2, 4
BACKGROUND:
This assignment takes inspiration from Zhan Li’s insightful theorization on super-heroes, as well as the technique of developing back-stories for character development. These back-stories may or may not appear in your final product (short story, dance, video, comic-strip, screenplay), but deeply inform the character’s inner motivations, personalities, and actions in the plot.
As Zhan wrote (see his comment on our earlier post for his full discussion on US
super-heroes):
"Origin stories are a more universal attribute of US
superheroes than superpowers - a significant minority of prominent US
superheroes lack superpowers (e.g. Batman, everyone in The Watchmen except Dr.
Manhattan) but all virtually all prominent US (superheroes and supervillains)
have origin stories - the moment in their past which made them what they are
today. This typically might involve an incident or series of incidents which
gives them superpowers (The Incredible Hulk), or an incident which is traumatic
and the trauma moves them to adopt a new heroic (or villainous) role (Batman)
or often it might involve both (Superman, Spiderman). (There are other cases
which don't quite fall into these categories - e.g. Wonderwoman's origins are
mythological and divine)." [emphasis added]
OPTIONAL ASSIGNMENT: BACK STORY
If you find it useful, you can engage in further
back-story writing apart from the origin story itself – figure out aspects such as your
character’s parents, hobbies, job, childhood environment, where she lives,
first love, etc and how those impact her convictions, values, personality. Here is a quick example of questions
you might address:
If you guys haven't already seen it (and Sangita may well have already brought it up) , you should check out the Legion of Extraordinary Dancers which is all about combining superheroes and dance
ReplyDeletehttp://en.wikipedia.org/wiki/The_Legion_of_Extraordinary_Dancers
http://www.hulu.com/the-lxd
Some of their work is impressive though although I believe their fundamental concept is deeply flawed (e.g. they never overcome the awkward fundamental differences between martial arts and dance), and it's not just me and my blanket European distaste for the US superhero genre